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30
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P2
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57
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There Will Be Blood
38
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68
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43
Youth Without Youth
92
Diving Bell and the Butterfly, The
92
There Will Be Blood
85
Savages, The
84
Before the Devil Knows You're Dead
81
Juno
81
Bamako
78
Starting Out in the Evening
77
Nanking
74
Orphanage, The
73
I'm Not There
71
Water Horse: Legend of the Deep, The
71
Manda Bala (Send a Bullet)
70
Lars and the Real Girl
69
Charlie Wilson's War
68
Business of Being Born, The
68
Delirious
68
War Dance
66
George A. Romero's Diary of the Dead
65
Great Debaters, The
64
Cloverfield
63
Walk Hard: The Dewey Cox Story
63
How She Move
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
48
National Treasure: Book of Secrets
47
Bella
47
Lions for Lambs
47
27 Dresses
46
Reservation Road
46
Finishing the Game
44
Nina's Heavenly Delights
43
Youth Without Youth
43
Final Season, The
41
Mad Money
41
First Sunday
39
P.S. I Love You
38
Trailer Park Boys: The Movie
37
P2
32
Untraceable
30
Over Her Dead Body
30
Cover
29
Aliens vs. Predator: Requiem
24
One Missed Call
15
In the Name of the King: A Dungeon Siege Tale
12
Strange Wilderness
7
Hottie and the Nottie, The
xx
Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
Orphanage, The
Picturehouse
 |
|
MPAA RATING: R for some disturbing content
Starring
Belén Rueda,
Fernando Cayo,
Geraldine Chaplin,
Montserrat Carulla,
Mabel Rivera,
and
Andrés Gertrúdix
Laura returns to the stately manor house that holds such a special place in her heart. The orphanage was abandoned years ago; Laura and her husband, Carlos, plan to reopen it as a center for sick and disabled children. It will be a place where boys and girls--including the couple's beloved 7-year-old Simón--can play freely in the open air, enjoying the sunshine and the nearby beach. In its years of solitude, however, the orphanage has acquired a haunted, unhappy air. To get used to his creepy surroundings, Simón starts to have relationships with imaginary friends. Simón's circle of unseen friends quickly expands to include five more boys and girls, who tell cryptic stories and engage him in elaborate games that carry a suggestion of the sinister. Troubled, Laura allows herself to get sucked into her son's eerie world, which seems to resonate with a far-away and disturbing echo of her own childhood experiences. (Picturehouse)
| GENRE(S): |
Drama
|
Horror
|
Mystery
|
Suspense/Thriller
|
| WRITTEN BY: |
Sergio G. Sánchez
|
| DIRECTED BY: |
Juan Antonio Bayona
|
| RELEASE DATE: |
DVD: April 22, 2008
Theatrical: December 28, 2007
|
| RUNNING TIME: |
110 minutes, Color |
| ORIGIN: |
Mexico / Spain |
| LANGUAGE(S): |
Spanish |
Alternative Title: El Orfanato

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Christian Science Monitor
Peter Rainer
Delivers more goose bumps than anything Hollywood has served up in years – which I hope does not mean that Bayona, a first-time feature director and music video whiz, will be enlisted to direct "Saw V."

91
Portland Oregonian
Marc Mohan
Reaches truly terrifying heights as it becomes clear how possible the worst outcome can be. Like "Pan's Labyrinth," this is a movie about children made very much for adults.

90
Washington Post
Desson Thomson
Lures us in with extraordinary subtlety. Keeping sound effects and incidental music to a relative minimum, it builds its suspense almost subliminally. So when something scary or shocking does occur -- deprived of those Hollywood-style cues -- we are truly startled.

90
Newsweek
David Ansen
A great horror movie is like a good shrink--and a lot cheaper, too. It purges us through petrification. That horror movie, thankfully, has arrived. It's called The Orphanage," and it is seriously scary.

90
Variety
Justin Chang
A fastidiously grim ghost story that rattles the bones of the haunted-house genre and finds plenty of fresh (but not too bloody) meat.

88
Chicago Sun-Times
Roger Ebert
Deliberately aimed at viewers with developed attention spans. It lingers to create atmosphere, a sense of place, a sympathy with the characters, instead of rushing into cheap thrills.

88
New York Post
Lou Lumenick
The acting is uniformly superb, the camera work and set design are haunting, and The Orphanage delivers well-earned tears at its beautiful conclusion. Go see it already.

88
Charlotte Observer
Lawrence Toppman
By the end, you'll be chilled and disturbed by what you've seen -- and, rare as this is in a horror movie, touched to the heart.

83
The Onion (A.V. Club)
Noel Murray
While some of the trappings and even some of the plot elements could easily be called unoriginal, Bayona and screenwriter Sergio G. Sánchez arrange them in a fresh way, crafting an emotionally resonant, nerve-jangling experience.

80
Chicago Reader
J.R. Jones
Despite a few bloodcurdling shocks, this handsome Spanish ghost story from producer Guillermo del Toro follows in the suggestive, richly romantic tradition of the old Val Lewton chillers.

80
Empire
Olly Richards
A good old-fashioned horror in the best possible way, this is a beautifully told, terrifying ghost story that lingers with you long after the shivers have stopped.

80
The New Yorker
Anthony Lane
You exit the cinema in a fever of melancholia, wondering how long it will take you to shed the sensation of alarm. The film is less of a shocker than an adventure in anxiety, testing and twisting some of the classic studies in infantile curiosity.

75
Baltimore Sun
Michael Sragow
As Laura, Rueda hits sublime notes of confusion, grief and wrath. She's sympathetic enough to make you root for her and complex enough to get you arguing afterward about whether Laura did anything to deserve all this.

75
ReelViews
James Berardinelli
For those who enjoy ghost stories and are willing to be patient with a movie that gradually unveils its secrets rather than uncovering them all in an orgy of violence and terror, The Orphanage fills a need. The spell it casts early does not evaporate until the epilogue is finished.

75
Seattle Post-Intelligencer
Bill White
In a genre that has been battered by the cheap grotesqueries of special effects, it is a pleasure to be unsettled by something as simple as an invasive beam of light in the shadows of a haunted house.

75
USA Today
Claudia Puig
In a season filled with dark-themed films, it stands out as an elegantly mounted, surprisingly humane but terrifying horror thriller well worth seeing.

75
Boston Globe
Ty Burr
The Orphanage gets by on mood and a mournfulness that's not easily soothed. Sadness and loss, it says, are the threads connecting the spirit world and our own, and women, who bring life into the world, understand that far better than men ever will.

75
Miami Herald
Rene Rodriguez
What distinguishes The Orphanage are some spare but fiendishly well-placed shocks that give the film an extra sense of danger: You can't take comfort with this one assuming you know what lurks around each corner, because you don't. Trust me.

75
Philadelphia Inquirer
Steven Rea
Bayona's moves are deft, the atmosphere oozes with anxiety and grief, but the big payoff - like the big payoff in The Sixth Sense, another film The Orphanage has more than a bit in common with - never comes.

75
Entertainment Weekly
Lisa Schwarzbaum
You're either in the mood to go along with the puzzle pieces or you're not. I'm not usually a puzzle-piece fan myself, not when it's clear that the filmmaker rigs the moves. But I couldn't help but fall for the repurposed real estate, and cheer for the lady strong enough to break through walls when she senses a child is waiting.

75
San Francisco Chronicle
Mick LaSalle
Though the movie has a handful of shots that are downright gross to witness, what makes The Orphanage scary is not what it threatens to show but what it suggests about life.

75
TV Guide
Maitland McDonagh
The filmmakers know the tropes of spooky movies: Glowering shadows, squeaking playground equipment, eerie storms and half-glimpsed forms, but the film rests on Rueda's subtle, intense performance, rooted in every half-articulated anxiety that ever gnawed at a parent's brain.

75
Chicago Tribune
Michael Phillips
As in “Pan’s Labyrinth,” The Orphanage relies on a risky blend of clinically realistic horrors and poetic suggestions of an alternate world, one that can be visited, but at a price.

70
Los Angeles Times
Carina Chocano
An unexpectedly poignant ghost story.

70
The Hollywood Reporter
Richard James Havis
This Spanish supernatural thriller begins interestingly and finishes intriguingly. But what lies between drags because the film lacks a driving story line.

70
The New York Times
A.O. Scott
The Orphanage, a diverting, overwrought ghost story from Spain, relies on basic and durable horror movie techniques.

70
Salon.com
Andrew O'Hehir
The Orphanage is a careful, elegant work that looks a little rough around the edges; it was shot largely with natural light and employs minimal special effects.

70
LA Weekly
Mark Olsen
There’s not really a bogeyman in The Orphanage and not much blood; just insane intensity and a building sense of bad vibes.

63
Premiere
Aaron Hillis
The Orphanage's joys come from the experiential: Bayona's cultured technical skills, including some phenomenal sound design, and sustained anxiety. It's about as healthy as junk food gets.

60
Film Threat
Pete Vonder Haar
It's worth a look, even taking into consideration the lack of zombies.

60
Wall Street Journal
Joe Morgenstern
You may see The Orphanage for what it is, an enjoyable contraption, without believing a bit of it.

50
Austin Chronicle
Marc Savlov
Ultimately the composition comes off as both overplayed and underdone.

50
New York Daily News
Jack Mathews
A combination ghost and shaggy dog story that is so well-made and acted you can nearly overlook its murky, unsatisfying ending.


The average user rating for this movie is 8.3 (out of 10) based on 52 User Votes
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