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Spiderwick Chronicles, The
61
Stop Loss
59
Under the Same Moon
59
Definitely, Maybe
57
Hammer, The
55
Turn the River
55
Without the King
54
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54
Tracey Fragments, The
52
Be Kind Rewind
52
My Blueberry Nights
50
Step Up 2 the Streets
50
Other Boleyn Girl, The
48
21
48
Penelope
46
Welcome Home Roscoe Jenkins
46
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Tyler Perry's Meet the Browns
44
Rails & Ties
44
Chaos Theory
44
Ruins, The
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Bucket List, The
41
Funny Games
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Drillbit Taylor
40
Vantage Point
40
Sleepwalking
37
Shutter
36
College Road Trip
35
Jumper
34
10,000 B.C.
33
Superhero Movie
30
Meet Bill
29
Fool's Gold
24
Sex and Death 101
17
Witless Protection
xx
Jack and Jill vs. the World
Stars indicate the most critically-acclaimed movies.
|
Diving Bell and the Butterfly, The
Miramax Films
FILM:
MPAA RATING: PG-13 for nudity, sexual content and some language
Starring
Mathieu Amalric,
Emmanuelle Seigner,
Marie-Josée Croze,
and
Max von Sydow
The Diving Bell and the Butterfly is the remarkable true story of Jean-Dominique Bauby, a successful and charismatic editor-in-chief of French Elle, who believes he is living his life to its absolute fullest when a sudden stroke leaves him in a life-altered state. While the physical challenges of Bauby's fate leave him with little hope for the future, he begins to discover how his life's passions, his rich memories and his newfound imagination can help him achieve a life without boundaries. (Miramax Film)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Ronald Harwood
|
| DIRECTED BY: |
Julian Schnabel
|
| RELEASE DATE: |
DVD: April 29, 2008
Theatrical: November 30, 2007
|
| RUNNING TIME: |
112 minutes, Color |
| ORIGIN: |
France / USA |
| LANGUAGE(S): |
French / English |
Alternative Title: Le Scaphandre et le papillon

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
New York Magazine
David Edelstein
The film is a masterpiece in which “locked-in” syndrome becomes the human condition.

100
The New Yorker
David Denby
Schnabel’s movie, based on the calm and exquisite little book that Bauby wrote in the hospital, is a gloriously unlocked experience, with some of the freest and most creative uses of the camera and some of the most daring, cruel, and heartbreaking emotional explorations that have appeared in recent movies.

100
Newsweek
David Ansen
Schnabel, screenwriter Ronald Harwood and Spielberg's great cinematographer Janusz Kaminski have found a way to take us inside Bauby's mind--his memories, his fantasies, his loves and lusts--transforming a story of physical entrapment and spiritual renewal into exhilarating images.

100
Premiere
Glenn Kenny
Every performer in the international cast -- Seigner, de Bankole, von Sydow (magnificent as Bauby's father), and the late Jean-Pierre Cassel to name but a few -- completely disappears into each of their roles, which I think is as much a testament to Schnabel's talents as to theirs.

100
Wall Street Journal
Joe Morgenstern
The movie has done what those who've cherished the book might have thought impossible -- intensified its singular beauty by roving as free and fearlessly as Bauby's mind did.

100
TV Guide
Ken Fox
Amalric is extraordinary, creating a character literally without moving a muscle.

100
New York Post
Lou Lumenick
You won't have a more viscerally emotional experience at the movies this year.

100
Salon.com
Stephanie Zacharek
The picture is so imaginatively made, so attuned to sensual pleasure, so keyed in to the indescribable something that makes life life, that it speaks of something far more elemental than mere filmmaking skill: This is what movies, at their best, can be.

100
The Hollywood Reporter
Ray Bennett
Director Julian Schnabel and screenwriter Ronald Harwood have performed a small miracle in adapting for the screen Jean-Dominique Bauby's autobiography The Diving Bell and the Butterfly.

100
Washington Post
Ann Hornaday
Thanks to Bauby's courageous and honest writing, and Schnabel's poetic interpretation, what could have been a portrait of impotence and suffering becomes a lively exploration of consciousness and a soaring ode to liberation.

100
Chicago Sun-Times
Roger Ebert
At the end we are left with the reflection that human consciousness is the great miracle of evolution, and all the rest (sight, sound, taste, hearing, smell, touch) are simply a toolbox that consciousness has supplied for itself.

100
Chicago Reader
Andrea Gronvall
he Diving Bell and the Butterfly fuses experimental techniques with a highly accessible and sometimes humorous narrative; it’s deeply personal yet universal in its humanism.

100
Chicago Tribune
Michael Phillips
It is wonderful: a rhapsodic adaptation of a memoir, a visual marvel that wraps its subject in screen romanticism without romanticizing his affliction. It left me feeling euphoric.

100
The Globe and Mail (Toronto)
Liam Lacey
The adjective “inspirational” doesn't do justice to the quality of Schnabel's film.

100
Film Threat
Matthew Sorrento
Schnabel's film is so steeped in the visual that it is surely the purest of cinema.

100
Baltimore Sun
Michael Sragow
The Diving Bell and the Butterfly provides an ecstatic lift for movielovers, despite the tragic subject.

100
Charlotte Observer
Lawrence Toppman
Moviegoers are turned off by depressing topics, yet "Diving Bell" supplies something film fans claim they want: pure escapism, the chance to experience extreme sensations virtually none of us will ever have.

91
Portland Oregonian
Shawn Levy
Mathieu Amalric, best known as an arms dealer in "Munich." In a role that strips him entirely of vanity and denies him virtually every expressive tool, Amalric makes a genuinely touching impression.

91
Entertainment Weekly
Lisa Schwarzbaum
The most beautiful movie ever made about a man who could only move one eyelid -- almost dangerously beautiful.

91
Christian Science Monitor
Peter Rainer
In a film that overwhelmingly avoids happy-faced pronouncements, this one sticks out.

91
The Onion (A.V. Club)
Tasha Robinson
Schnabel's sleepy, drifty, at times morbidly funny film tackles something more ambitious, by getting into the head of someone who's trying to get out of there himself.

90
Slate
Dana Stevens
With the help of brilliant French actor Mathieu Amalric, Spielberg's longtime cinematographer Janusz Kaminski, and screenwriter Ronald Harwood (The Pianist), Schnabel has made a marvelous film that uses images with as much grace and flair as Bauby used words.

90
Los Angeles Times
Kenneth Turan
Simultaneously uplifting and melancholy, suffused with an unexpected sense of possibility as much as the inevitable sense of loss.

90
The New York Times
A.O. Scott
In his memoir Mr. Bauby performed a heroic feat of alchemy, turning horror into wisdom, and Mr. Schnabel, following his example and paying tribute to his accomplishment, has turned pity into joy.

89
Austin Chronicle
Josh Rosenblatt
Could easily have tipped over into melodrama, but Schnabel is too much an artist to let that happen; he realizes that in order to make his hero truly substantial, and not just sympathetic, he has to present him as an ordinary man making the best of extraordinarily lousy circumstances. By doing so he’s created a character we not only marvel at but identify with.

88
Philadelphia Inquirer
Carrie Rickey
The film is more than laborious eye-blinking - it's also dazzling visually, its potent imagery conjured by cinematographer Janusz Kaminski. But finally, Diving Bell is about something imperceptible: consciousness.

88
Boston Globe
Wesley Morris
He even calls the majestic view from one of the hospital landings his Cinecittà, after the legendary Italian film studio. The movie is a Cinecittà of the mind.

88
Rolling Stone
Peter Travers
The movie will wipe you out. Schnabel's previous two films (Basquiat, Before Night Falls) also focused on artists. But this is his best film yet, a high-wire act of visual daring and unquenchable spirit.

83
Seattle Post-Intelligencer
William Arnold
The movie never falls into gushy moments of inspiration and Schnabel never tries to manipulate any particular response from the audience. We're left to make of it what we will.

80
Empire
Alan Morrison
A poignant reflection on what it means to be alive and, visually, a true cinematic experience.

80
Variety
Justin Chang
Most compelling in its attempts to re-create the experience of paralysis onscreen, gorgeously lensed pic morphs into a dreamlike collage of memories and fantasies, distancing the viewer somewhat from Bauby's consciousness even as it seeks to take one deeper.

75
USA Today
Claudia Puig
Whereas the book was lyrical and moving, the movie is surrealistic and inventive.

75
New York Daily News
Elizabeth Weitzman
Take us on an indelible tour through the highest and lowest points of the human experience.

75
San Francisco Chronicle
Mick LaSalle
By the end, The Diving Bell and the Butterfly achieves a victory over difficult material, but celebrating that fact doesn't preclude recognizing the story is not a natural for movies and remains an uneasy match.

50
Time
Richard Schickel
Still, somewhat shame-faced I have to admit that at some point in the film I began to hear a subversive voice whispering in my ear, and what it was saying was, "Could you blink a little faster, pal?"

50
Village Voice
Scott Foundas
Far too often, though, The Diving Bell and the Butterfly feels grotesquely calculated, especially the more Schnabel ratchets up the inspirational platitudes of exactly the sort that Bauby--who maintained an acerbic sense of humor about his situation until the very end--would have despised.


The average user rating for this movie is 8.1 (out of 10) based on 68 User Votes
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