CNET Networks Entertainment GameSpot | GameFAQs | SportsGamer | Metacritic | MP3.com | TV.com
Home | About Metacritic | About Metascores | What's New | Wireless Versions | Discussion Forums | Advertising Inquiries | Contact Us | RSS
Metacritic.com: We Deal With Criticism
     Help
> Switch to Advanced Search  
Film Video/DVD Music Games TV

DVD and Video

Upcoming Release Calendar
Awards & Bests By Year
All-Time High Scores
All-Time Low Scores
How Metascores Are Calculated
Discuss Film In Our Forums

 

Recent Releases in DVD and Video

sort by name sort by score

Stars indicate the most critically-acclaimed movies.



 

Printer-Friendly Version Email This Page Discuss In Our Forums

Cloverfield
Paramount Pictures

Cloverfield reviews
Critic Score
Metascore: 64 Metascore out of 100
User Score  
5.9 out of 10
based on 37 reviews
Read critic reviews
How did we calculate this?
based on 511 votes
Read user comments
Rate this movie

MPAA RATING: PG-13 for violence, terror and disturbing images

Starring Michael Stahl-David, Mike Vogel, Odette Yustman, Lizzy Caplan, Jessica Lucas, and T.J. Miller

Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives. (Paramount Pictures)


GENRE(S): Action  |  Sci-fi  |  Suspense/Thriller  
WRITTEN BY: Drew Goddard  
DIRECTED BY: Matt Reeves  
RELEASE DATE: DVD: April 22, 2008 
Theatrical: January 18, 2008 
RUNNING TIME: 90 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Empire Olly Richards
A dazzling experiment that paid off immensely, this is cinematic pleasure at its purest. One caveat: If they ever make a sequel, we’re taking two stars back.
Read Full Review
91
The Onion (A.V. Club) Keith Phipps
It puts human faces on the victims of mass destruction, faces that might easily have been yours or mine, staring down the maw of something we don't understand.
Read Full Review
90
New York Magazine David Edelstein
We’ve never sat through anything with Cloverfield’s subjective sting. You’d have to be tougher than I was not to be blown sideways by it.
Read Full Review
90
Village Voice Nathan Lee
Cloverfield never stops to identify the why, whence, or whereto of its rampaging meanie—this relentless thriller stops for nothing—but as for what to call it, behold . . . al-Qaedzilla!
Read Full Review
89
Austin Chronicle Marc Savlov
Cloverfield is the most intense and original creature feature I've seen in my adult moviegoing life, and that's coming from a guy who knows his Gojira from his Gamera and his Harryhausen from his Honda. Cloverfield isn't a horror film – it's a pure-blood, grade A, exultantly exhilarating monster movie.
Read Full Review
83
Portland Oregonian Shawn Levy
It's a sharp and vivid film, filled with moments of tremendous ingenuity and characterized by a persistent avoidance of the expected tropes. It's far scarier than the big-budget remakes of "Godzilla" and "King Kong," more engaging than "I Am Legend," more human than a sackful of slasher films.
Read Full Review
83
Entertainment Weekly Lisa Schwarzbaum
Cloverfield, a surreptitiously subversive, stylistically clever little gem of an entertainment disguised, under its deadpan-neutral title, as a dumb Gen-YouTube monster movie, makes the convincingly chilling argument that the world will end -- or, at least, Manhattan will crumble -- with a bang and a whimper.
Read Full Review
75
ReelViews James Berardinelli
Cloverfield's gritty, in-your-face style is uncompromising. If you're looking for a nice, clean movie filmed with a steadycam, you'll have to look elsewhere.
Read Full Review
75
Chicago Tribune Michael Phillips
It’s dumb but quick and dirty and effectively brusque, dispensing with niceties such as character.
Read Full Review
75
Premiere Eric Alt
It's not the life-changing movie experience the intense viral marketing attention would lead you to think it is, but its decision to focus on ground-level humanism rather than epic disaster is what separates it from the pack.
Read Full Review
75
Seattle Post-Intelligencer Andy Spletzer
When the monster shows up, pretty early in the film, everything becomes much more interesting, as it smashes buildings in midtown Manhattan like some sort of Rudy Giuliani, 9/11 nightmare.
Read Full Review
75
USA Today Claudia Puig
The genre may be old news, but the skillfully made Cloverfield offers a heart-racing experience with plenty of chills, thrills and exhilaration.
Read Full Review
75
New York Daily News Jack Mathews
Manhattan has always been a fat target for apocalypse filmmakers, but with its 9/11-inspired imagery, Matt Reeves' breathlessly fast-paced Cloverfield is going to resonate with New York audiences in a way no other horror film has.
Read Full Review
75
The Globe and Mail (Toronto) Rick Groen
Cloverfield is an exercise in realism that lacks reality's broader and richer context. Or, put another way, the experiment is artful, but it ain't art.
Read Full Review
75
San Francisco Chronicle Peter Hartlaub
Produced by "Lost" and "Alias" mastermind J.J. Abrams, Cloverfield has been one of the more interesting experiments in large-scale guerrilla filmmaking.
Read Full Review
75
Christian Science Monitor Peter Rainer
It's been a while since we've had a good monster movie, and while Cloverfield probably won't give you sleepless nights, it will certainly keep you awake in the theater.
Read Full Review
75
Chicago Sun-Times Roger Ebert
Mercifully, at 84 minutes the movie is even shorter than its originally alleged 90-minute running time; how much visual shakiness can we take? And yet, all in all, it is an effective film, deploying its special effects well and never breaking the illusion that it is all happening as we see it.
Read Full Review
75
Boston Globe Ty Burr
Cloverfield is content to be a creature feature; that's what makes it bearable and what keeps it from greatness. The genre, not the script, does the psychological heavy lifting.
Read Full Review
75
Miami Herald Rene Rodriguez
There are a few surprises lurking in Cloverfield, and director Matt Reeves has an uncanny ability to time his jolts and scare when you least expect it.
Read Full Review
70
Film Threat Pete Vonder Haar
It’s a thoroughly intense and mostly entertaining movie.
Read Full Review
70
The New Yorker Anthony Lane
Cloverfield is a vastly old-fashioned piece of work, creaking with hilarious contrivance. I was thrilled, for instance, to hear someone actually speak the line “It’s alive!”
Read Full Review
70
The Hollywood Reporter Michael Rechtshaffen
Think "Godzilla Unplugged" -- with chillingly effective results.
Read Full Review
70
Chicago Reader J.R. Jones
The narrative conceit requires a fair amount of indulgence as the story progresses, but the fleeting, incomplete glimpses of the monster early on prove the old dictum of B movie auteur Val Lewton that a momentary image can have greater impact than a prolonged one.
Read Full Review
67
Baltimore Sun Chris Kaltenbach
Long on style and technique, short on substance and plot.
Read Full Review
63
Philadelphia Inquirer Steven Rea
Much scampering, yelling, quaking and crying is required of the actors, and they acquit themselves well enough, even with oozing fake wounds and prop rebars piercing their shoulder blades.
Read Full Review
63
Rolling Stone Peter Travers
Now that the fanboy hype has cleared, we can see Cloverfield for what it is: borrowed inspiration, trite screenwriting and amateurish acting all in the service of a ballsy idea -- that a horror movie could maybe, just maybe, have a soul.
Read Full Review
60
Slate Dana Stevens
Despite a first reel entirely devoted to establishing characters, Cloverfield is basically a line-'em-up, pick-'em-off horror movie that's effective without being either viscerally frightening or emotionally moving. Watching it is like going through a car wash: You come out of it thoroughly Cloverfield-ized, but essentially unchanged.
Read Full Review
50
TV Guide Maitland McDonagh
An efficient but shallow fright show.
Read Full Review
50
New York Post Kyle Smith
Combines unpleasantness and stupidity to a degree that would be difficult to match unless you were stuck in bed with a case of the shingles while being forced to watch “The Ghost Whisperer."
Read Full Review
50
Variety Todd McCarthy
Despite its indie-flavored shooting style, first-rate visual effects, reasonable intensity factor, nihilistic attitude and post-9/11 anxiety overlay, this punchy sci-fier is, in the end, not much different from all the marauding creature features that have come before it.
Read Full Review
50
LA Weekly Scott Foundas
While the entertainment value of Cloverfield is highly negotiable, it's clear that Abrams has consciously aligned himself with those filmmakers who have used the template of a grade-B monster/invasion movie -- Don Siegel, George Romero, Steven Spielberg -- as a stealth vessel for social commentary.
Read Full Review
50
Time Richard Corliss
Mind you, I don't begrudge the creators of even a junk-food movie like Cloverfield the fun they had demolishing New York one more time.
Read Full Review
50
Los Angeles Times Kevin Crust
Adept at wringing maximum suspense and might have reached the heights of the Korean monster film "The Host" but for the limitations of the camcorder ploy. While it injects the film with a run-and-gun urgency, the device grows tiresome and ultimately leaves the film shortchanged.
Read Full Review
38
Charlotte Observer Lawrence Toppman
No movie this year will better embody Macbeth's description of life itself: "a tale ... full of sound and fury, signifying nothing."
Read Full Review
30
Washington Post John Anderson
Cloverfield is a relentless, I-thought-my-eyeballs-were-bleeding exercise in visual disorientation.
Read Full Review
30
The New York Times Manohla Dargis
Like too many big-studio productions, Cloverfield works as a showcase for impressively realistic-looking special effects, a realism that fails to extend to the scurrying humans whose fates are meant to invoke pity and fear but instead inspire yawns and contempt. Rarely have I rooted for a monster with such enthusiasm.
Read Full Review
30
Salon.com Stephanie Zacharek
It pretends to examine how self-absorbed we are as a culture, only to be consumed by its own self-absorption. It's also badly constructed, humorless and emotionally sadistic .
Read Full Review

What Our Users Said

Vote Now!The average user rating for this movie is 5.9 (out of 10) based on 511 User Votes
Note: User votes are NOT included in the Metascore calculation.

Vincent B. gave it a0:
An awful attempt at mixing the blair witch with godzilla. If the monster isn't a good enough reasons to leave the city, the characters and lacking love story is.

Lemmor gave it a7:
Fantastic movie but I needed to see more angles.... Is there any other videocam picked up? So he's the only one filming it, how about security cameras or the army or from reporters from helicopters? right.

Gary H. gave it an8:
Most people complain about dizziness; there is nothing to complain of. It's a very thrilling film that gives another great height on monster movies.

Dayland M. gave it a10:
This movie seems to polarize people. Love it or hate it. I was absolutely fascinated by it. It didn't seem like I was watching a movie, performed by actors. It really made me believe that I was watching so called found footage. I can understand why some people didn't enjoy the whole motion sickness inducing shaky cam. It was nice the way they interwove professional fx with really professionally shot camera work made to look like it was a puny home video camera. My one complaint is that when they first run headlong into the monster, the initial shots fired by the army looked a little hokey, but the rest of the fighting was top notch. Exploding babes, squished battletanks, impalements, heavy bombing and wickedly demolished metropolis all combine to provide the kind of theatrical experience that doesn't come along very often. As with transformers, I wish I had seen it in the theater, instead if DVD.

Bud B. gave it a0:
Didn't like Blair Witch Project either. If I wanted to watch home video I'd watch America's Funniest. Try using a budget larger than the cost of the discs. Horrible imitation film.

Adam S. gave it a6:
It was a excellent movie with amazing special effects and interesting filming style but the ending just cut off with no shape or form of a conclusion, even on the alternate endings.

Robert I. gave it a7:
Blair witch meets godzilla. Totally bogus premise, you won't believe a minute of it, but, having said that, it's so entertaining that you don't want to leave your seat for a minute. Who's going to get creamed? Eaten alive? What's at the end of the subway tunnel? Who's shooting all those cannonballs of fire? Will Manhattan be nuked? Kids in peril are as old as pauline, but, man, what a trip!

Read more user comments...

Discuss this movie in our forums

Return to top of page
Home | FILM | DVD/VIDEO | MUSIC | GAMES | TV | Forums | About Metacritic metacritic.com

About CNET Networks | Jobs | Advertise | Partnerships                                Visit other CNET Networks sites:

Copyright ©2007 CNET Networks, Inc. All Rights Reserved. Privacy Policy | Terms of Use