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Bella
Roadside Attractions

Bella reviews
Critic Score
Metascore: 47 Metascore out of 100
User Score  
7.6 out of 10
based on 18 reviews
Read critic reviews
How did we calculate this?
based on 29 votes
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MPAA RATING: PG-13 for thematic elements and brief disturbing images

Starring Eduardo Verástegui, Tammy Blanchard, Manny Perez, Ali Landry, Angélica Aragón, Jaime Tirelli, and Ramon Rodriguez

An international soccer star is on his way to sign a multi-million dollar contract when a series of events unfold that brings his career to an abrupt end. A beautiful waitress, struggling to make it in New York City, discovers something about herself that she’s unprepared for. In one irreversible moment, their lives are turned upside down…until a simple gesture of kindness brings them both together, turning an ordinary day into an unforgettable experience. (Metanoia Films)


GENRE(S): Drama  
WRITTEN BY: Leo Severino
Patrick Million
Alejandro Gomez Monteverde
 
DIRECTED BY: Alejandro Gomez Monteverde  
RELEASE DATE: DVD: May 6, 2008 
Theatrical: October 26, 2007 
RUNNING TIME: 91 minutes, Color 
ORIGIN: Mexico / USA 
LANGUAGE(S): English / Spanish 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

75
Chicago Sun-Times Roger Ebert
The movie is a little more lightweight than the usual People's Choice Award winner at Toronto, but why not? It was the best-liked film at the 2006 festival, and I can understand that.
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75
New York Post Lou Lumenick
Cynics need not apply, but I found Bella a real heart tugger.
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75
San Francisco Chronicle Ruthe Stein
A tearjerker that earns its sobs with heartfelt emotions.
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70
Chicago Reader Jonathan Rosenbaum
May have more heart than head, but it's also just as interesting for what it leaves out of its romantic story as for what it retains.
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67
Austin Chronicle Marc Savlov
Bella is, indeed, a beautiful film. The bustling, cab-crowded thoroughfares of New York City have rarely looked as inviting and the coastline as momentously beachy as they do in this film.
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50
TV Guide Ken Fox
Well-acted first-feature.
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50
Variety Robert Koehler
Mexican-born helmer Alejandro Monteverde's debut will be remembered as a curious case of a mediocre film that wows crowds.
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50
Chicago Tribune Tasha Robinson
The melodrama and cheap theatrics of the story’s off-center segments drag the whole thing down.
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50
Los Angeles Times Gary Goldstein
Certainly a sweet, life-affirming picture, but it's just not authentic or captivating enough to justify its wildly concocted scenario.
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50
Philadelphia Inquirer Steven Rea
What are you going to do when your lead actress offers a performance that's as unlikable as the woman she's portraying? Maybe it's the script (flimsy, formulaic), or filmmaker Alejandro Gomez Monteverde's conspicuous direction, but Tammy Blanchard's Nina, a waitress with a dour disposition and an unwanted pregnancy, pretty much sucks the life out of this well-meaning melodrama.
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50
Entertainment Weekly Lisa Schwarzbaum
In stories like this defiantly unsubtle, structurally clunky specimen, causes women who are considering abortion to think again, and self-selecting audiences to enjoy a light, luxurious weep.
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50
The Globe and Mail (Toronto) Rick Groen
If you have an appetite for well-made treacle, then Bella should go down a treat.
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40
Village Voice Julia Wallace
Manages to be utterly predictable without making any sense at all.
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40
The New York Times Stephen Holden
If Bella (the title doesn’t make sense until the last scene) is a mediocre cup of mush, the response to it suggests how desperate some people are for an urban fairy tale with a happy ending, no matter how ludicrous.
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38
Boston Globe Erin Meister
In this bilingual morality movie about love, family, and fate, however, the unpredictability turns out to be highly predictable.
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38
Miami Herald Connie Ogle
The film is more of an exercise in pandering and propaganda -- give your baby up for adoption, you selfish pig! -- than the heartfelt drama it aims to be.
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33
The Onion (A.V. Club) Scott Tobias
The emotions at play in Bella are no doubt heartfelt--and must have resonated with a few hundred people, anyway--but they're so cut-and-dried that the mawkish script virtually writes itself.
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30
Washington Post Desson Thomson
A Mexican movie in which the outcome is never in doubt, the scenes are endless -- sorry, we meant poetic-- and the false beard on the central character's face looks as though it could use a little extra gum.
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What Our Users Said

Vote Now!The average user rating for this movie is 7.6 (out of 10) based on 29 User Votes
Note: User votes are NOT included in the Metascore calculation.

David J. gave it a3:
Nearly every scene was grossly overdramatic. I kept thinking "Oh C'mon" to both lead characters. Some reasonable acting by the minor characters cannot salvage this film that makes the main lead almost Christ-like, and the female lead suffocatingly dour. See Lord Jim for a more interesting exploration of the issues in this film.

Johanna N gave it a10:
Exquisite and beautiful. Artistically-filmed with a good soundtrack and great acting. One of the *best* movies I've seen in a long, long time. It's all about redemption. Guilt-ridden for taking the life of an innocent little girl in a tragic car accident, Jose is redeemed by saving the life of Nina's Bella. How does he save her life? Well, that's the story the movie tells. Other people get redeemed too -- Nina and Manny come to mind. This hopeful story is well-grounded in reality. People who feel the film is "inauthentic" must have incredibly sad and jaded lives. But for those who know that redemption is real, for those who have been able to forgive themselves and others for terrible deeds, for those who have been wallowing in a pit only to be raised out of it by the love of another, this movie speaks the truth.

Jas B. gave it a10:
This movie is awesome!

Chad S. gave it a5:
A dispute over change between a Chinese grocer and an Anglo-American customer results in "Crash"-like words. Was the bill that the customer handed over to the grocer, a ten, or a five spot? Nina(Tammy Blanchard) is next in line. The customer leaves. It's Nina's turn. "Korea"(what the customer calls the grocer) opens the till and sees that he erred. This is not a throwaway scene. Don't be distracted by the Unabomber-like beard that Jose(Eduardo Verastegui) sports, in repose, or in rapport with Nina. Don't be distracted by the overwrought emotions that ensues. While you weren't looking, this filmmaker remade "Crash" to his own specifications(from the point-of-view of a Latino). In Paul Haggis' "Crash", Ludacris doesn't stop. Jose stops. He stops and gives assistance to the injured. And he still winds up in prison for five years. Because of that scene at the Chinese grocer, the ethnicity of the second party becomes relevant. The victim, and the victim's mother, are Anglo-American. Draw your own conclusions as to the sort of prison sentence Tom might have received were he not from Mexico. "Bella" begins well. Manny(Manny Perez), a restaurant owner, incidentally, shares the same name as the protagonist in Stewart O'Nan's "Last Night at the Lobster". He runs a tight shift. His firing of Nina is justified. Her anger is justified, too(this is the first of three crashes). So far, so good. The walking tour of New York that Jose and Nina undertake is okay, as well. But when they reach their destination, "Bella" becomes hard to watch. The film is somewhat redeemed by its political subtext.

Jay H. gave it a6:
Pleasant film, very nicely acted, particularly Tammy Blanchard and in a small role Ali Landry. Well written but it can be slow moving at times. Worth watching.

Leslie R. gave it a4:
Cloyingly sentimental film. Too many dark brooding looks, pregnant (haha) pauses for effect, too saccharine by far. When it's recommended in catechism class, you can pretty much predict the plot.

Wendy H. gave it a2:
I do not like the movie at all! I don't even like the name of the actual movie! Bella?! Come on!

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