Metacritic Books

The Red Queen
by Margaret Drabble

ISBN: 0151011060
Harcourt, 350 pages, $24.00
Fiction General Literature & Fiction
Released 10/04/2004

Barbara Halliwell, on a grant at Oxford, receives an unexpected package-a memoir by a Korean crown princess, written more than two hundred years ago. A highly appropriate gift for her impending trip to Seoul. But from whom?...As she explores the inner sanctums and the royal courts, Barbara begins to feel a strong affinity for everything related to the princess and her mysterious life. [Harcourt]

Overall Metascore

This is an average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

73 / 100

Critic Reviews

Outstanding Booklist Donna Seaman
Drabble is sleight-of-hand adept at slipping profoundly insightful musings on human nature, history, and social mores into scintillating and all-consuming novels.
Outstanding Kirkus Reviews
Engrossing and provocative: a scarlet narrative thread reminds us how magical the novel can be in telling stories and lives.
Outstanding Library Journal Mary Margaret Benson
Like Drabble's other novels, this superb story shows signs of her fascination with connections--genetic, historical, and chance-met.
Outstanding Publishers Weekly
Nimbly jumping across time and around the globe, Drabble artfully stitches together the disparate strands of both women's lives with "a scarlet thread... of blood and joy."
Outstanding San Francisco Chronicle June Sawyers
One of the most inventive works of fiction in recent memory.
Favorable Boston Globe Kerry Hardie
The many parallels in the lives of these two women give the book an interesting mirroring effect.
Favorable Chicago Tribune Y. Euny Hong
Drabble's tale is a quiet love song to literature, an illustration as to how reader and subject become intertwined. As Yeats wrote, how can we know the dancer from the dance?
Favorable Daily Telegraph Caroline Moore
The life-story of Lady Hong is so extraordinary, and Drabble's fascination so infectiously if nervously conveyed, that it cannot fail to absorb the reader.
Favorable Entertainment Weekly Jennifer Reese
Lovely, intelligent.
Favorable The Globe And Mail [Toronto] Donna Baily Nurse
Drabble writes exquisitely, but never more so than when she is describing fashion or art.
Favorable The Guardian Maureen Freely
Behind the literary games is an implausible but gorgeously trashy romance. I lapped that up, too - without anyone being the wiser. Rarely has feminist escapism been so stylishly disguised.
Favorable The Independent Charlie Lee-Potter
A delicate, scented fruit, scarred and bruised here and there, but full of life nevertheless.
Favorable The Spectator Francis King
The second half is an entertaining but not all that remarkable novella, part travelogue and part fiction. The first half, on the other hand, as luridly eventful and as stylistically rich as any Jacobean tragedy, shows Drabble in brilliant form.
Favorable Village Voice James Hunter
Her dreamy re-creation of the Crown Princess's exacting voice is extraordinary.
Favorable Sydney Morning Herald Ian Hicks
Drabble develops the Halliwell-van Jost affair with charming tenderness.
Mixed The Guardian David Jays
But both Drabble's ancient and modern Seoul lack the relish and imaginative pragmatism that have recently helped popularise Korean food and movies.
Mixed Daily Telegraph Claudia FitzHerbert
I imagine that Lady Hong comes across as quite something in the original. It is Drabble's dabbling in time travel that has dumbed her down. This is a great pity, not least because the second half of The Red Queen is so much better than the first.
Mixed The Economist
Though the crown princess's memoirs are recounted with grace and intelligence, and though the old professor's seduction of the strapping young lecturer is enjoyable, it is difficult for the reader ever to lose sight of the contrivance.
Unfavorable Washington Post Carolyn See
I had a lot of trouble with this book. The modern anachronisms in the first half. The travel-magazine material in the second. (Do we really need to know in such detail about ladies' public toilets in contemporary Seoul?) I disliked the British self-love that makes England the very center of the cultural universe.
Unfavorable The New York Times Book Review Richard Eder
What we are left with are two narratives entirely separate in style and content, and two voices that never really connect. As for tragicomedy, there's no breath of humor in the princess' stiffly told story and hardly a splinter of irony.

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