> Switch to Advanced Search

New & Current Releases
Archives: A-Z Index
Advanced Search

Upcoming Release Calendar
All-Time High (And Low) Scores
Best Of 2008
Best Of 2007
Best Of 2006
Best Of 2005
Best Of 2004
Best Of 2003
Best Of 2002
Best Of 2001
Best Of 2000
How Metascores Are Calculated
Discuss Music In Our Forums

sort by name

sort by score

60 31Knots
71 The Academy Is...
75 The Accidental
68 Adele
70 Adem
67 The Airborne Toxic Event
70 Alkaline Trio
72 Alphabeat
77 Theresa Andersson
74 Apollo Sunshine
52 Ashanti
84 Bajofondo
56 David Banner
76 The Baseball Project
77 Beck
77 Black Affair
59 Black Ghosts
76 Black Kids
73 Brazilian Girls
90 The Bug
56 Caesars
70 Glen Campbell
75 Brendan Canning
69 The Charlatans
72 Coldplay
78 The Cool Kids
65 Alice Cooper
77 Rodney Crowell
65 CSS
67 Miley Cyrus
45 Dandy Warhols
81 Danny!
73 Death Vessel
79 Damien Dempsey
58 Dirty Pretty Things
57 Disturbed
72 Dr. Dog
82 DragonForce
78 The Duhks
75 Jakob Dylan
77 Earlimart
77 Brian Eno + David Byrne
83 Alejandro Escovedo
62 The Faint
56 Feeder
65 The Fiery Furnaces
87 Fleet Foxes
64 iForward, Russia!
61 The Fratellis
73 The Futureheads
59 G Love & Special Sauce
65 The Game
74 Inara George With Van Dyke Parks
74 Giant Sand
80 Girl Talk
61 Golden Animals
64 Mike Gordon
42 G-Unit
79 GZA
64 Albert Hammond, Jr.
67 Ed Harcourt
78 Emmylou Harris
86 Harvey Milk
73 Juliana Hatfield
61 Hawthorne Heights
86 Hercules And Love Affair
82 High Places
76 Zach Hill
85 The Hold Steady
63 Vanessa Hudgens
70 Human Highway
77 James Hunter
68 Ice Cube
66 Ida Maria
69 Jaguar Love
69 Jewel
76 Joan As Police Woman
81 Jamey Johnson
70 Jonas Brothers
59 Judas Priest
57 Kerli
73 Ladytron
72 Leila
76 Lykke Li
82 Lil Wayne
82 Lindstrom
72 Little Jackie
60 Lloyd
55 Los Lonely Boys
74 Love As Laughter
79 Aimee Mann
80 Marc Ribot's Ceramic Dog
76 John Mellencamp
71 The Melvins
71 Men Without Pants
74 Mirah
63 Alanis Morissette
56 Motley Crue
74 The M's
84 The Music Tapes
54 The Music
71 My Brightest Diamond
70 My Morning Jacket
63 N.E.R.D. [The Neptunes]
71 Nas
79 Willie Nelson & Wynton Marsalis
51 New Kids On The Block
84 Randy Newman
78 Nine Inch Nails
75 The Notwist
75 Conor Oberst
52 The Offspring
80 One Day As A Lion
75 Oneida
82 Opeth
62 The Orb
75 Oxford Collapse
43 Katy Perry
74 Lee "Scratch" Perry
84 Sam Phillips
72 Plies
73 Robert Pollard
81 Ponytail
64 Primal Scream
78 Ra Ra Riot
48 The Rascals
71 Ratatat
63 Re-Up Gang
48 Gavin Rossdale
71 The Rumble Strips
65 RZA
74 Scars On Broadway
70 Ron Sexsmith
85 Shearwater
39 Shwayze
81 Sigur Rós
78 Silver Jews
69 Slipknot
74 Sloan
79 Patti Smith and Kevin Shields
72 Solange
69 Son, Ambulance
63 Sam Sparro
65 Rick Springfield
65 Staind
47 Stereo MC's
72 Stereolab
69 The Stills
75 Subtle
83 Sugarland
67 Supergrass
69 Matthew Sweet
77 Irma Thomas
84 Teddy Thompson
57 Three 6 Mafia
73 Tilly And The Wall
64 The Ting Tings
72 Tittsworth
63 James Jackson Toth
72 Randy Travis
92 Underoath
58 UNKLE
58 David Vandervelde
71 The Verve
69 The Virgins
69 Loudon Wainwright III
77 Martha Wainwright
81 The Walkmen
67 The Watson Twins
67 Ben Weaver
81 The Week That Was
64 Weezer
77 Paul Weller
76 White Denim
71 Brian Wilson
79 Cassandra Wilson
87 Dennis Wilson
76 Wire
78 Wolf Parade
61 XX Teens
66 Young Jeezy
55 Yung Berg
66 The Zutons

Stars indicate the most critically-acclaimed albums.

Let The Blind Lead Those Who Can See But Cannot Feel
by Atlas Sound


7.4

based on 23 reviews
Read critic reviews
How did we calculate this?

based on 26 votes
Read user comments
Rate this album

Official MySpace Site

The debut solo album from the lead singer of Deerhunter.

LABEL:	Kranky
RELEASE DATE:	19 February 2008
DISCS:	1 disc
GENRE(S):	Rock, Alternative, Indie

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Delusions of Adequacy

The music married to these wonderful lyrics is touching, gorgeous and stunning and there is no doubt in my mind that Atlas Sound has created, arguably, the best album of the year.

Urb

Cold and sweet all at once while perched atop a reef of moody Krautrock, Let the Blind Lead has a progression that melts more than it floats.

Pitchfork

As with each of Cox's projects, Let the Blind works best as a swirling, disorienting whole, organizing traditionally abstract styles like graphic-design elements within his unifying vision until they communicate like good pop.

Lost At Sea

While the record pleases on most all levels, the flavor of sound at times feels somewhat generic and a bit too lethargic, which keeps the disc from being great.

No Ripcord

Bradford Cox has created a work that musically and lyrically will attach itself to your consciousness, reflecting exterior experience and encouraging inner association with the former.

Mojo

His gentle mantric vocals and concise, evocative lyrics drift through layers of treated instrumentation and ambient electronica. [Apr 2008, p.112]

PopMatters

Let the Blind Lead‘s lovesickness and confessions, however, are as tenderly delivered as its hazy atmospherics are, and in their bare authenticity, are far more compelling in repeat indulgences than Deerhunter’s explorations.

Tiny Mix Tapes

Each song has a distinctive quality that stands on its own. However, when you back away from the album as a whole, you begin to see that all these individual elements unify to make a greater holistic product.

Alternative Press

Cox projects an otherwordly allure in his atmospheres and melodies that recall My Blood Valentine's recasting of rock as sound that prioritizes erotic texture and swoon-worthy levitation. [Mar 2008, p.140]

Billboard

Cox followed his muse and ran with it, and what resulted is a collection of music that's as intriguing as its creator.

Drowned In Sound

There are times on Let the Blind…, when the music around Cox veers subtly in the right direction, where you can hear the grub’s surprise as he wakes up with Great Admiral wings, ugly white noise turning psychedelic.

Dusted Magazine

He easily sidesteps the drama that dogged he and his band throughout 2007 (and ultimately led to their declaration of hiatus towards the end of the year), turning Let the Blind Lead Those Who Can See But Cannot Feel into a beautifully melancholic slice of shimmering, ambient pop.

Magnet

While Cox’s narratives make little sense (much of the time, he’s not even singing so much as wailing wordlessly), the music is surprisingly accessible.

Paste Magazine

Cox blends rock instruments with organs, harps and his haunting, languid voice, and the result is a gentle, richly textured wall of sound.

The Onion (A.V. Club)

As is often the case with that genre [Too Pure acts like Seefeel], certain songs feel aimless and in dire need of an editor. But when they coalesce (as on the tender lament "Recent Bedroom" or the gentle Jesus And Mary Chain pop of "Ativan") it creates a beautiful, truly immersive world tailor-made for hiding and healing.

Prefix Magazine

It's an uneven and at times painfully intimate record, but one that confirms the talent of a songwriter obsessed with illuminating his interior truth.

Spin

In flashing back, Cox smears just the right amount of Vaseline on the lens. [Mar 2008, p.96]

All Music Guide

The album's not faultless: as with Deerhunter, Cox has the tendency to try too hard to be profound, wanting so badly to say something important that he sounds trite and forced, and untrustworthy, but when he's able to forget about conveying some kind of meaning and instead focuses on the actual music, his message--one of pain and love and feeling lost, of trying desperately to understand--is undeniable.

Blender

On his solo debut, Bradford Cox sinks, phantomlike, into lush, highly processed arrangements of organ, drum machine and (evidently) whatever instrument is laying around. The disappearing act really can be magical.

Under The Radar

At times, it's as moody and transporting as great film music, but, fat too often, these songs never materialize into anything more substantial than vapor. [Winter 2008, p.80]

cokemachineglow

Let The Blind never pitches badly or throws up a truly terrible track to mack on and leaves me with the potentially duff argument that this record is really good at what it does, but what it does so exactingly reaches for breadthlessness that its under-ambition ends up under-cutting what made the songs pleasant and amenable in the first place.

Sputnikmusic

Atlas Sound meanders where it ponders, a purely ethereal trip without the oomph.

Slant Magazine

The psychiatric exercise of creating the album may have done him some good, but fans of Deerhunter's transcendent rock will have to wait for the band's next album if they want the kind of catharsis that is only hinted at here.

The average user rating for this album is 7.4 (out of 10) based on 26 User Votes
Note: User votes are NOT included in the Metascore calculation.

Christian P. gave it an8:
This is a really strong album. I enjoy it more than the Deerhunter album. The vocals are lovely and the music is hauntingly beautiful -- I suppose I had low expectations, but this is a solid album.

N Harpham gave it a9:
Cryptograms snuck up on me and beat me over the back of my head. I had no idea how powerful that album would be, in fact I didn't like it the first few times through. Most top tier albums are that way for me. So I can happily say that while I don't like this a lot on initial listen, I didn't like most of my all-time faves on initial listen. But there is just enough there to keep me coming back again. So many great albums aren't instantly likable. The albums that are instantly likable usually have a short shelf life. I'm really excited to unlock the secrets here.

Hügo T. gave it a10:
Step into the world of boundless imagination. As the Album plays, you can feel as it pours through the whole body. Slowly like a dope dream. Its a magical down tempo. All lies in its playfulness, which is the key how to get along with the sound full of psychedelia and experimentality.

Andy L. gave it a10:
It's ambience with a touch of playfullness, genius.

Anton S. gave it a9:
Wonderful and unusual!

Paul C. gave it a6:
Certain types of music tend to be overvalued on metacritic (see The Field, Burial, etc.). The new album from Atlas Sound falls into this category. Listening to this album is a forgettable experience. It's not that it's bad--there are moments that are quite pleasant--it's just that none of the music stands out in anyway. I kept waiting for a song on this album to really break out but it never did. I'm sure I'll listen to this album a few more times, but will I be listening to it in June? Not likely, and if an album has a shelf-life of a couple months in rotation, well frankly, that's not worth an 80+ rating in my book.

David R. gave it a5:
The best album of the year? Doesn't Delusions of Inadequacy know it's early February? If anybody deserves an 'album of the year' honor this early it's the sweater-wearing afropop punks Vampire Weekend.

Let The Blind Lead Those Who Can See But Cannot Feel by Atlas Sound

Let The Blind Lead Those Who Can See But Cannot Feel
by Atlas Sound